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Colorists rejoice over this fabulous addition to the color graders tool bag. Off hand I can think of many ways to engage this tool. Right off I wish I had this back in '91. This new client comes to me with a 16mm film clip of a "David" statue (You know, the Greek nude guy), in a picturesque garden setting. Shot at 24fps in bright morning... shadow. To say it was underexposed would be generous. The fresh out of art school kid exposed his film for bright sunlight while the subject was in deep shadow. Yuk, it was flat and colorless. Have you ever worked with a color blind (so-called) artist? I have had that distinct displeasure. I spent about an hour preparing a color correction scheme to the best of my (and the equipment's) ability. It was as good as it could get. "NO, NO!!!," says the client, "the statue is more green than that. I need to see the patina.* Crank up the green and swing the hue over some." So I did, then told him "now, the sky is green." "No problem, looks okay to me" he says "just focus on the statue. More green please." So I gave him what he wanted and thought that was it. It wasn't. Next day I get called on the carpet by the company owner. "Why is the sky green?" he asks. "That is what the client asked for," I reply. "Well" the boss says "your client's boss called me and chewed me out and claimed that his artist was better than my colorist. Because the sky is blue, not green." He wanted a full refund AND for us to pay for re-transferring the footage, at a different facility. That we screwed the pooch on this one, because his artist just graduated from Art School. "Thought this might happen" I respond. "That's why I laid down a second version, with the sky blue." Of course, I was the bad guy on this fiasco, because for sure, a kid just out of art school sees color better than a seasoned professional colorist. Regardless of the colorist's 14 years experience. Regardless of his vast film experience. Totally disregarding the fact that the so-called artist is green color perception deficient. When I saw this new Color Slice tool in DaVinci Resolve Studio 19, I knew that was the tool I was missing all those years ago. If-a coulda, woulda grabbed a slice of green sky and made it blue. That woulda been heavenly. I did CYA on this job by saving my original color correction. Which I saved to tape, and sent to the client later. What I learned from this episode is this. When someone else wants poor quality, it isn't enough to just give just that to them, even if it is all they want. You should give them your quality version as well, as an option, just to CYA. Just in case... here it comes... everyone is a critic. Fortunately for me I laid down 2 versions of that clip. My original grade and the grade the client warped into. I sent the second tape, and never saw that client again. Looking for a little color grading on your footage. Give BWT Videos a try. Contact me for a free consultation... Color Slice Tool In DaVinci Resolve Studio 19
In this video I show how to adjust the MCP brakes. And provide tips to set them up properly. I used a combination of a Blackmagic Design Pocket Cinema Camera (BMD PCC) with a Lumix 12-35 zoom lens and an Olympus 25mm fixed focal length lens. I shot this video in Blackmagic "Raw" format, at 30fps, and color corrected and edited in DaVinci Resolve 18... Website tips for this post:
I love my BMD PCC. The raw footage setting allows me to use DaVinci Resolve to get the absolute best color correction possible. The wide dynamic range make this camera a great choice for all types of video production. Get yours here... Slingshot Brake Adjustment
Auto exposure is easy, accurate and works great in a controlled light environment. The BMD PCC camera has an auto exposure button on the back panel for easy operation.
In an environment where light quality changes auto exposure can cause noticable changes in the quality of the shot.
I got asked, the other day, if I could make "Deep Fake" videos. And immediately thought "Danger, Will Robinson!" Do I have a moral issue with making Deep Fake videos? Yup, probably. So, I replied "Sorry, my boss prohibits me from making that type of video." Must admit I felt a little downtrodden over admitting that. Essentially because I make fake videos all the time. It is called animation. The difference is I use real fake personalities, as opposed to impersonating real people, or faking a real person. Which is what deep fakes videos do. In animation you can animate real fake people to look just "real." With AI animation you could impersonate anyone.
However that leaves a lot you can do. You can teach how to do something, you can promote a product, offer a service, entertain friends or record a lifestyle. So much is possible. Now you can use the same tools I do to create "Real Fake" videos. The best tools for AI animation creation are the ones that last, the ones that perform well and ones that have great customer support. These are my BWT Videos recommended tools... Looking to build your own animation creation biz? Here's a few website tips for you.
This well thought out AI animation creation machine is packed with features. You get: So many features I can't possibly describe them all here. You'll just have to look for yourself. I can say the (deleted) guy selling this gem, should have asked for more money. He could have asked for much, much more. But, NO! Paul Ponna had to go and make it affordable. For now!
Video Express AI certainly deserves to be my top app of the year. I mean where else can you get top grade practically unlimited, AI video creation? You can't! But this one-time low cost deal won't last forever. Hurry up and get your subscription now... Inside Video Express AI Video Creation App
Website tips for this post are; Taking advantage of DaVinci Resolves non-linear color corretion capabilities I was able to pull more detail into the scene. In the sky portion of the shot I cranked down on the exposure and cranked up the contrast. I used a cross dissolve to extend the change over a second. Which is right where the camera pans from shadow to sky. My tip is find a good colorist to grade your footage. It can mean the difference betwen getting the shot and blowing out the details. Do you need to get some footage color corrected? Contact me at... Rainbow on Christmas Day
Poor or weak drafting skills in an assembly drawing is a pet peeve of mine. These ones were under detailed and incomplete in direction for assembly. I would have done a better job, myself. But, instead I made a video that others can study to get a better grasp on what it takes to assemble this outdoor backyard, front porch or patio Adirondack chair. Check it out... Website tips for this post are;
In this video I captured a lot of unwanted noises I was able to edit out using the "Fairlight" page. This page is specially designed to work with audio only. Having a dedicated page for audio allows for audio post instead of editing audio on a video editing page.C03 Upright Adirondack Chair Build
Einstien's theory of "General Relativity" can be observed during a total solar ecclipse. Where gravatational lensing of the sun warps starlight from stars that are behind it. Here is my animation of a solar ecclipse. What do you think? Solar Ecclipse is an animation creation by BWT Videos. Watch the moon pass in front of the sun. Animated in Camtasia Studio 2023.4. This animation features a relatively new animation called "spotlight." With it you can vary the amount and location of a radial shadow mask. Which has the effect of the light fading from our sight, like the darkness of night. Can be used to highlight different areas of the screen. Or as a special effect, like in this video. Hope you liked it. I thought about and researched the data for more information. And I was going the blab about how much I know about astronomy. But instead I'll just direct you to my source.
Lost in Space.com...Solar Ecclipse Animation
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